Brand guidelines for the Halvo P1 percussion massager: how it looks, how it speaks, and how it is photographed.
Tension is something the day ties into you. Halvo is the tool that unties it.
Most massage guns are sold like power tools: black plastic, aggressive numbers, gym lighting. Halvo goes the other way. It is made from materials you would keep in a living room (soft-touch umber, woven linen, oiled walnut, brushed dark silver), and it talks about relief in plain words. The rope is the brand's one recurring image. It shows tension as something physical that can be loosened, and Halvo is always the thing doing the loosening.
Warm materials, soft light, quiet type. No anatomy diagrams, no heat maps.
The grip is designed for people with less hand strength. We say so plainly and without pity.
Every image is a made object, lit and shot with intent. The craft is part of the promise.
The wordmark is the name set in light sans capitals, tracked wide. The tracking is the logo: it reads as an exhale. The model name follows at reduced weight, never larger than the wordmark.
letter-spacing 0.62 em
Never tighten it to fit. Scale the whole mark down instead.
80 px wide · 18 mm in print
Below this, use the name in body type without tracking.
Centred on end cards and packaging; top left in editorial layouts. Never over the product itself.
The palette comes straight from the product's materials. Colour is never applied to Halvo; it is what Halvo is made of. The body is a dark grey-brown, and every metal part shares one brushed dark silver. Light grey is the neutral ground behind the product and under the type.
Two voices. A high-contrast Didone for what Halvo says, and a light grotesque for everything that explains. The serif is used sparingly, one line at a time.
In film and print, the brand files use Bodoni and Segoe UI Light. Hanken Grotesk is the web substitute for Segoe UI Light. Never set body copy in the serif or headlines in bold.
Halvo speaks like a good physiotherapist: warm, brief and specific. Short sentences. Physical words (knot, hold, loosen, rest) over technical ones. It never shouts, never promises a cure, and never makes pain dramatic.
Undo what the day tied.Brand line. End cards, packaging lid.
Knots, untied.Campaign title for the rope film and stills.
Soft where your hand is.Grip and accessibility story.
Hold less. Feel more.Light grip force; for people with joint pain.
Let the day go.Evening and wind-down placements.
Made to stay out.Materials story. Walnut, linen, stands on the shelf.
The brand line in Bodoni over the last shot, the wordmark below it. It fades in over the final second and a half. Nothing else on screen.
Accessibility copy should name the design choice and its benefit, as above. Don't claim the grip is suitable for any specific condition.
Photograph the case open in the warm studio, product inside. Closed shots work as small secondary images only.
Halvo has two lighting worlds. Day is warm, soft and still: it sells the object. Night is cool, low and moving: it tells the rope story. Never mix the two in one frame.
Graded frames from the 15-second "Knots, untied" film.